Documentary series about the history of British science fiction.

Documentary about High Noon featuring Fred Zinnemann and Stanley Kramer.

A lone avenger arrives in a crime-ridden western town

High Noon tells the story of a lawman named Will Kane (Skerritt) who has just married a young bride, Amy (Thompson), promising to leave his dangerous career and settle down for a quiet life. Just as they are about to leave, word comes that a vicious killer Kane had sent to prison years earlier, is coming to town on the noon train seeking vengeance. Kane attempts to rally the town to fight the gunman, but not even his former deputy Harvey (Diamond) is willing to help. Harvey's cowardice infuriates his girlfriend, Helen (Alonso), whose romantic past with both Kane and with the arriving gunman convinces her to pack up and leave town. As the dreaded noon hour approaches, Kane realizes he must stand alone against the coming storm.

Documentary exploring the making of the film, High Noon.

High Noon was a professional wrestling internet pay-per-view (iPPV) event produced by the Chikara promotion, that took place on November 13, 2011, at the Asylum Arena in Philadelphia, Pennsylvania. The event marked Chikara's first ever live pay-per-view and it was headlined by the finals of a tournament to determine the first ever Chikara Grand Champion.[

High Noon Toons was a 3-hour programming block of cartoons hosted by two cowboy hand puppets named Haas and Lil' Jo shown on Cartoon Network in the mid-1990s. The series was made by Matt Thompson and Adam Reed, who would later go on to create adult-themed cartoon series such as Sealab 2021 and Frisky Dingo for Adult Swim and Archer for FX.Often the show would have special themes, such as "Quick Draw McGraw: Pure Mustang". Haas and Lil' Jo also hosted Cartoon Network's "Spring Break '95", where the two would be on a beach setting with bikini-clad Barbie dolls, and would show Spring Break-related cartoons. They also hosted the Thanksgiving Cartoon Parade in 1995.

An inventive remembrance of the impact of the Hollywood blacklist on two American classics, rendered as a visually mesmerizing dialogue between Carl Foreman and Elia Kazan.

It follows the two lead characters, Svaba and Ekser, as they try to make a living on the streets of Belgrade through the life of petty crime. Making matters worse is the fact that Shvaba owes a lot of money to a local big-shot criminal. And just when things seem lost for the two men, Shvaba's mother inherits a house in Baranda - a village near Belgrade no one's ever heard of. As Shvaba and Ekser happily rush to Baranda, hoping to sell the house and solve all their problems, the villagers are equally happy to see them, thinking that two businessmen from Belgrade are finally taking an interest in their village...

An updated version of John Mulholland’s making-of documentary that explores the remarkable 1952 film starring Gary Cooper, and the gripping story behind its troubled production. Though High Noon was originally seen as an attack on the blacklisting witch hunt gripping Hollywood at the time, it is now recognized as a damning portrait of civic complacency, democracy in peril. High Noon is today considered a classic of American cinema.